Chintaman Raghunath Vyas (1924 – 2002), popularly known as C. R. Vyas, was born in Osmanabad, Maharashtra. He had several teachers in Kirana, Gwalior and Agra gharanas.

Recorded live at Kanara Saraswat Association, Mumbai on 28 March 1979, with Shashikant Muley (tabla), Purushottam Walawalkar (harmonium)

"Nirguni" bhajan relates to the concept of a deity that is without form or attributes.

Uppalapu Srinivas (1969 – 2014) pioneered the mandolin in Carnatic classical music. Because he was a child prodigy, he was sometimes called the Mozart of classical Indian music. He modified the electric western instrument, using five single strings instead of the traditional four doubled strings to suit the Carnatic playing style (sustained notes and musical ornamentation).

with A. Kanyakumari (violin), Bhaktavatsalam (mridangam), T.H. Vinayakram (ghatam

Aruna Sairam was born in Mumbai in 1952, received vocal training from her mother Rajalakshmi Sethuraman, who was a student of the Alathur Brothers and Thanjavoor Sankara Iyer. Her father Sethuraman was a music connoisseur who hosted musicians in the family home. At one of these gatherings, Aruna met Smt. T. Brinda, who trained her in the style of Veena Dhanammal.

Neyveli Santanagopalan is a vocalist and teacher, born in 1963. He has leant from Thanjavur Sankara Iyer, Maharajapuram Santhanam and T.N. Seshagopalan.

Sidhram Bhimrao Jadhav was born in Sholapur, Maharashtra. His father, Bhim Rao, played the shehnai in a South Indian style.

https://www.discogs.com/master/1839862-Sidhram-Jadhav-Sundri-Recital

Raman Kalyan, also known as V. K. Raman and as Flute Raman, is an Indian Carnatic flute player. He received advanced training from Dr. N. Ramani. "Mohana Rama" is one of his earliest releases.

On violin: Mysore M. Nagaraj, on mridangam: Arjun Kumar; on ghatam: M.A. Krishna Murthy

Recorded live in Pittsburgh PA in 1999, with Sukhvindar Singh Namdhari on tabla.

"The delta formed by the rivers Krishna and Godavari in Andhra Pradesh has a network of canals and this selection is a typical river song usually sung by women passengers to relieve the tedium and strain of the boatman rowing."

Sung by A. Anusooya & V. Sita

From Cochin, she is a disciple of Charumathi Ramachandran

Born in Madras on 26 April 1950, he is the son of violinist V. Lakshminarayana, and brother of L. Subramaniam and L. Vaidyanathan. While attending college at Wesleyan University, he met jazz musicians like Ornette Coleman, Jimmy Garrison, and John McLaughlin. With McLaughlin, Shankar founded the group Shakti in 1975, one of the early groups in which Eastern and Western musical traditions met. This is the debut recording of his custom double-neck electric violin, which soon found its way onto numerous crossover collaborations.

I could not find any reliable information about this raga. It is not mentioned in my reference books.

With Sivaraman on mridangam and Zakir Hussain on tabla, playing Ali tal of 8 beats.

Keyboards are an import to the Indian subcontinent. The harmonium arrived in India during the mid-19th Century, possibly with missionaries or traders. The harmonium quickly became popular, being portable, reliable and easy to learn. The harmonium has almost completely replaced the sarangi as an accompaniment to Hindustani vocalists, even though it isn’t really well suited for Indian Classical Music. This duet features harmonium by Jnan Prakash Ghosh (1909-1997; usually a percussionist) and Vistas Ardeshir Balsara on the piano.

Shyamal Bose on tabla.

Ravi Padmanabha is a composer, improviser, and multi-instrumentalist. He has spent many years studying and playing a wide variety of music, including jazz, world, Indian, and experimental music. He has studied with Samar Saha, Sharda Sahai, and Pankaj Misra.

The "bulbul tarang" is a keyed electric string instrument, literally “waves of nightingales”, evolved from the Japanese taishogoto, which arrived in the subcontinent in the 1930s. Similar to an autoharp, but with typewriter keys.

With Sadashiv Pawar on tabla.