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Tralfamadorian Travels
Apr 27, 2026 1:00 AM – 3:00 AM
Music
From Kurt Vonnegut's book 'Slaughterhouse 5':
"[Tralfamadorians are] two feet high, and green, and shaped like plumber's friends. Their suction cups were on the ground, and their shafts, which were extremely flexible, usually pointed to the sky. At the top of each shaft was a little hand with a green eye in its palm. The creatures were friendly, and they could see in four dimensions (!!!) They pitied Earthlings for being able to see only three. They had many wonderful things to teach Earthlings, especially about time. Billy promised to tell what some of those wonderful things were in his next letter.
Billy was working on his second letter when the first letter was published. The second letter started out like this:
The most important thing I learned on Tralfamadore was that when a person dies he only appears to die. He is still very much alive in the past, so it is very silly for people to cry at his funeral. All moments, past, present and future, always have existed, always will exist. The Tralfamadorians can look at all the different moments just that way we can look at a stretch of the Rocky Mountains, for instance. They can see how permanent all the moments are, and they can look at any moment that interests them. It is just an illusion we have here on Earth that one moment follows another one, like beads on a string, and that once a moment is gone it is gone forever.
When a Tralfamadorian sees a corpse, all he thinks is that the dead person is in a bad condition in that particular moment, but that the same person is just fine in plenty of other moments. Now, when I myself hear that somebody is dead, I simply shrug and say what the Tralfamadorians say about dead people, which is "so it goes.”"
Tonight... we will listen and travel like Tralfamadorians, blending music of bygone eras until it forms its very own continuous landscape of unconstrained beauty.
| 1:05 AM |
| Makthaverskan Pity Party Glass and Bones Welfare Sounds & Records 2026
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| 1:08 AM |
| Grimes Symphonia IX (My Wait Is U) Visions 4AD 2012
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| 1:13 AM |
| Bézier Valencia Valencia - EP Dark Entries Records 2022
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| 1:19 AM |
| Björk Hidden Place Vespertine Rhino/Elektra 2001
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| 1:25 AM |
| Dean Blunt LUSH BLACK METAL Rough Trade 2014
|
| 1:27 AM |
| Flying Lotus Clay Pattern+Grid World Warp Records 2010
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| 1:30 AM |
| Kenneth Masters and Cramske pop!aganda The Urban Legend Complex
|
| 1:32 AM |
| Jaguar That's Your Problem Baby Get the Funk Out Alda Music 2001
|
| 1:50 AM |
| Guru No Time to Play Jazzmatazz, Vol.1 Chrysalis\EMI Records (USA) 1993
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| 1:54 AM |
| Black Nile Exposure Indigo Garden Hen House Studios 2026
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| 1:58 AM |
| Francis Lai Un homme et une femme "Un homme et une femme" Soundtrack Album - EP WAKITA MUSIC PLANNING JAPAN 2021
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| 2:02 AM |
| Dave Brubeck Ain't Misbehavin' NightShift (Live At The Blue Note, NYC / October 5-10, 1993) Telarc 1995
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| 2:08 AM |
| Jeff Buckley Just Like a Woman (Live) Live At Sin-é (Legacy Edition) [Audio Version] Columbia/Legacy 1993
|
| 2:15 AM |
| Jale Ali So Wound Sub Pop 1996
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| 2:18 AM |
| Shudder to Think Love Catastrophe Get Your Goat Dischord 1992
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| 2:22 AM |
| Gazebos Boys I Like Die Alone Hardly Art 2016
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| 2:27 AM |
| ROBERT COHEN-SOLAL Fruite des Shadoks Les Shadoks WRWTFWW 2018
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| 2:37 AM |
| Slowdive Everyone Knows Slowdive Dead Oceans 2017
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| 2:42 AM |
| Solange Bad Girls (Verdine version) True [EP] 2016
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| 2:46 AM |
| Slow Club Wanderer Wandering Complete Surrender Virgin Music UK 2014
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| 2:55 AM |
| Elliott Smith Say Yes Either/Or Kill Rock Stars 1997
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| 2:57 AM |
| SZA Sweet November Z - EP Top Dawg Entertainment 2014
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