WPRB Princeton 103.3 FM
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WPRB is a community-supported, freeform radio station. Our FM signal (103.3) serves central New Jersey, Philadelphia, eastern PA and the northern tip of Delaware. We reach a global audience at wprb.com.
DoublePlusGood
Sep 17, 2026 5:00 PM – 8:00 PM
Music
With Lizbot
A tangy mélange of modern classical composition, rock in opposition, and songs of petition on a free-form mission
GAS MAX
| 6:39 PM |
| Cheer-Accident Immanence Putting Off Death Cuneiform Records 2017
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| 6:36 PM |
| Cardiacs Flap Off You Beak Sing To God The Alphabet Business Concern 1995
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| 6:33 PM |
| Allah-Las Pt. Conception N Sirenas Mexican Summer 2026
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| 6:30 PM |
| Pat Metheny Electric Counterpoint: III. Fast Steve Reich Steve Reich: Different Trains & Electric Counterpoint Nonesuch 1989
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| 6:21 PM |
| Ron Geesin / Alejandro Vinao / Quentin Crisp / Simon Desorgher / Ralph Steadman / RD Laing & Son Enterbrain Exit / An Imaginary Orchestra / Stop The Music For A Minute / Tetrad / Sweetest Love / Tipperary Miniatures 1 Cherry Red Records 1979
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| 6:20 PM |
Set Break:
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| 6:20 PM |
| Unweather City Under the Hill Will Robinson Methuselah Original Soundtrack sound as language 2021
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| 6:14 PM |
| Propaganda Dr. Mabuse (The First Life of...) A Secret Wish (Analogue Sequence) ZTT Records 1985 German maximalist avant synth-pop band formed in Düsseldorf in 1982
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| 6:05 PM |
| Van Der Graaf Generator Killer Peter Hammill, Chris Judge Smith, Hugh Banton H to He Who, Am the Only One Charisma 1970 3rd studio album.
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| 6:01 PM |
| Les Rita Mitsouko, Russell Mael & Ginger Ringer Hip Kit Marc & Robert Because Music 1988 R.I.P. Catherine Ringer, co-founder & leader of French avant-pop group Les Rita Mitsouko, who passed away this past Monday, Sept 14th.
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| 5:52 PM |
Set Break:
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| 5:52 PM |
| Yuzo Koshiro Streets of Rage - Fighting in the Street Yuzo Koshiro Bare Knuckle OST 1991 Regarded as one of the most influential innovators in chiptune and video game music, producing music in a number of genres including rock, jazz, symphonic, and various electronic genres such as house, electro, techno, and trance. "Streets of Rage" came up in 1991 for Sega
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| 5:46 PM |
| Ron Geesin It's All Very New, You Know Ron Geesin A Raise Of Eyebrows Transatlantic 1967 Experimental Scottish musician, composer and writer known for his collaborations with Pink Floyd and Roger Waters. This debut album showcases Geesin's tape manipulation of sounds and his skills on numerous instruments, including guitar, piano, banjo and devices atypical to music, and explores music, poetry, spoken word, satire, noise, and sound collages.
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| 5:29 PM |
| Carl Stone Sonali Carl Stone Four Pieces EAM 1989 American composer, based in Japan, primarily working in the field of live electronic music, he studied composition at the California Institute of the Arts with Morton Subotnick and James Tenney
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| 5:23 PM |
| Roy Harper One Man Rock and Roll Band Roy Harper Stormcock Harvest 1971 fifth studio album
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| 5:19 PM |
| Gas Max Bljuvljana Mi Jih Beremo, Ko Jih Pobiramo Dokumentarna, Yugoslavia 1986 Slovenian band, active from 1984-1991 in
what was then Yugoslavia, during which time they recorded two albums, both stylistically quite unique, combining elements of punk, new wave, prog rock, avant-garde.
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| 5:12 PM |
| Genesis Dodo / Lurker Tony Banks Abacab Charisma 1981
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| 5:08 PM |
| Už jsme doma Cajdák Hollywood Indies Scope 1996 Czech punk/prog quintet formed in Teplice in 1985, heavily influenced by the Rock-In-Opposition prog movement
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| 5:03 PM |
| Scott Johnson John Somebody Part I Scott Johnson John Somebody Tzadik 1985 American composer from Madison, WI originally, but associated with the late 70s/early 80s New York Downtown scene, known for his pioneering use of recorded speech as musical melody, and his distinctive crossing of American vernacular and art music traditions, making extensive use of electric guitar in concert works, and adapting popular music structures for art music genres such as the string quartet.
"John Somebody" is one of the earliest instances of an instrumental score based on the melodies of spoken phrases, and used as an accompaniment to those recorded phrases. It is named for the opening tape loop of a single female voice, repeating these phrases, which are then imitated by layered guitars:
You know who's in New York?
You remember that guy... J-John somebody?
He was a-- he was sort of a--...
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