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Interaural Space
Oct 27, 2024 3:00 AM – 5:00 AM
Music
With Grace
¡experiments! reception+perception: Interaural Space connects our neural sensitivities through experimental/sounds/musics, readings, talks, etc.
@ the half - 4pm ~ a reading from the works by fave artists
Emphasis on unbounded, experimental works from across the globe.
*Interaural Space is a term by Maryanne Amacher, composer (1938-2009).
Memory Reborn
Awake & absent..where are we rooted? @ the 1/2 at 4pm I read from Mosab Abu Toha's Things you may find hidden in my ear; Haytham El Wardany's The Book of Sleep and Ayesha Tan Jones♡
| 3:00 AM |
| Sharif Sehnaoui Trane Sharif Sehnaoui Old and New Acoustics Al Maslakh 2012
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| 3:09 AM |
| KAKUHAN MT-ZN1 KAKUHAN Metal Zone NAKID 2023
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| 3:16 AM |
| Jose Maceda Tongatong Jose Maceda. unreleased unreleased 2014 bamboo stamping tube
For the Mul9 class under Lisa Veronica Decenteceo; from the collection of Jose Maceda.
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| 3:17 AM |
| Nicholas Christian, Matt Milton, Eddie Prévost & Bechir Saadé song four Nicholas Christian, Matt Milton, Eddie Prévost & Bechir Saadé A Church Is Only Sacred To Believers Al Maslakh Records, Beirut. 2009 Nicholas Christian: electric bass Matt Milton: violin Eddie Prévost: percussion Bechir Saadé: bass clarinet |
| 3:32 AM |
| Tarta Relena Crit premonitori Tarta Relena És pregunta Latency 2024 Tarta Relena will debut És pregunta live at Unsound on October 2, 2024.
« Time and distance collapse in the music of Tarta Relena. With little more than their two voices, Helena Ros and Marta Torrella connect the far corners of the Mediterranean, drawing on traditions stretching back more than a thousand years. This is music of primal essence and unnameable longing, full of frequencies that seem to tap an ancient ache in one’s bones.» – Pitchfork |
| 3:38 AM |
| Robert Fesler La Perte du Temps Robert Fesler μP RPF78 Metaphon, Belgium. 2024 |
| 3:45 AM |
| Dirar Kalash & Soweto Kinch Blacks' Myths meets Black Top (excerpt) Dirar Kalash & Soweto Kinch unreleased Cafe OTO 2024
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| 3:53 AM |
| Tolouse Low Trax / KΣITO Kannon Yu (Tolouse Low Trax South Atlas Remix) [Knekelhuis] Tolouse Low Trax/KΣITO Manget Knekelhuis 2021
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| 4:10 AM |
| XIX Mirage (feat. Martina Brandorff) XIX Dedicated to Palestine Stray Signals 2024 his compilation is dedicated to Palestine.
Looking at the oppressive political climate in Germany and the structures of racialised policing that enable it, we urgently recognise that, in whatever we do, a commitment to anti-colonial and pro-Palestinian politics must be upheld. This is how we can cultivate an effective anti-fascist movement locally and internationally.
We stand together with the Palestinian people against the genocidal aggression of the Israeli war machine and its enablers.
We will be donating all revenue raised from this compilation 50/50 to the NGOs ‘Jüdische Stimme für gerechten Frieden in Nahost’ and ‘Palästina Kampagne’. Both organisations are doing important work, from planning demonstrations to panels, as well as providing legal support for all those affected by the state led censorship and oppression.
www.juedische-stimme.de
www.nakba-ban.org
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| 4:12 AM |
| José Maceda Dissemination José Maceda unreleased unreleased 2013
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| 4:38 AM |
| Baldruin Unter der Decke Baldruin Kleine Freuden Mappa Editions 2022
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| 4:39 AM |
| Baldruin Glück im Traum Baldruin Kleine Freuden Mappa Editions 2022 Johannes Schebler's musical output is all about establishing a dreamlike territory where sonic settlements can spread at ease. While Grykë Pyje (Johannes Schebler's duo with Jani Hirvonen) presents musical landscapes as open and clear spa |
| 4:40 AM |
| "A" Trio The Binding Third Part 1 "A" Trio The Binding Third Al Maslakh Records, Beirut. 2023 "A" TRIO:
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| 4:59 AM |
| Sean McCann The River Witch Sean McCann The River Witch Recital 2021 c-60 Cassette — Recorded in November of 2021. Quickly recorded chamber music with voice and tape echo.
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Robert Fesler was an engineer in the medical field by day and spent his spare time building synths, making use of two of his creations - the Synthese 756 and the μP RPF78 - to help illustrate his tangled inner world. For Fesler, the act of recording, which he approached instinctively without using overdubs, was almost a meditative process. "Building my synthesisers and working with them enabled me to sublimate my anxieties," he's quoted as saying in the accompanying text. 
Recorded at "Listen To My Music" at the Vargas Museum on June 25, 2013, 5:00 - 5:30 PM. Performed by a full orchestra composed of UP Music students.
A longform piece presented two ways — followed by a rough text piece with elements from McCann's upcoming opera. Published by Matthew Sullivan's Staighre label (sold out from label).